To hear my version of “The Hanging Tree” go to: http://www.youtube.com/watch?v=JZqTObePIoE&feature=plcp
“The Hanging Tree” is a major part of the third book because it captures the thought that death is easier than the life the characters live. The final verse of the song is brought up twice as Katniss thinks about the horrors she has seen and her and Gail’s promise to kill the other if captured.Borselllino relates “The Hanging Tree” to the song at the end of 1984 which she says Collins has read repeatedly: “Under the spreading chestnut tree / I sold you and you sold me.” Borsellino writes, “Combined, the two songs become a question posed to Peeta and Katniss: will fear, torture, hate, lust for power, and the desire for self-preservation ultimately prove to be so strong that even lovers would betray each other? . . . The Hunger Games, however, declares that no, love does conquer hate. . .” (Wilson, 36). Some object that Katniss living, even though she and Peeta eventually raise a family, is not the ideal ending for the Hunger Games series. As “The Hanging Tree” echoes, sometimes the hardest thing to do is to live. Instead of receiving a glorious death or even an easy life, at the end of the series Katniss and Peetaare still dealing with the trauma they have endured.
“The Hanging Tree” is the piece that I am least satisfied with the outcome, though it does communicate the darkness of the song described in Mockingjay. I composed the song in ¾ time because it is usually associated with the waltz, a happy dance for lovers. By doing this, I hoped that it would feel odd as the song progresses and the listener realizes that the lovers in the song will never dance together because the man is dead and wants his beloved to join him. D minor is usually thought to be the saddest sounding of the minor keys, so I wrote in that key signature. Unlike the “Lullaby” I composed the melody of “The Hanging Tree” before deciding on the chords. This allowed me to ensure that the melody would be simple, as it is described in the book. However, how I heard the melody in my head did not end up simple as I found out while trying to record the song with a 15 year old singer. It being too late for me to rewrite the song, I asked her to make up the song as she sang. This worked fairly well since she already had what I had composed in her ear. I decided this worked well because Katniss learned the song from her father, and songs learned through oral tradition are bound to change over time.
In the ensemble version of “The Hanging Tree” the oddness I had composed myself into is more apparent. The harmony lines have simpler rhythms than the melody to make up for the chord progressions. Though none of the chord progressions break Baroque rules, they are not the simple three chords heard in many songs today. On the end of the third line of the song (the only line in the song that changes. The words being “three”, “flee”, “free”, and “me”) I end on a V chord, making a half cadence. The next line begins with a VI chord, a deceptive cadence. This breaks the listener’s expectation[1] while not being displeasing to the ear. Having the piece be in a minor key also allowed me to include several diminished chords which are harsh sounding[2] and therefore appropriate for such a dark song.
[1] V chords drive to the I chord.
VI chords do not offer the full relief of returning to the tonic, but they do
allow the leading tone (the third of the V chord) to resolve up a step.
[2] Diminished chords are made of
two minor thirds stacked on top of each other. This creates the outer notes to
be diminished fifths, or tritones, one of the most dissonant intervals.
Tritones were once believed to invoke the devil and were also used in sirens
because of the jarring sound.